Dr. Joshi noted that filming at the featured locations was challenging due to difficult geography and limited accessibility. The film captures rare and seldom-seen places, emphasizing that amidst attempts to distort or erase historical and traditional beliefs, this work will serve as a lighthouse—illuminating Kashmir’s authentic heritage for young audiences and enthusiasts.
He encouraged the director to share powerful visuals of temples through short reels, aiming to attract viewers to the full film and promote wider engagement with the region’s heritage.
Cultural and Spiritual Significance
Rajan Khanna highlighted the eternal connection between a nation, its culture, and geography. He described India as a bouquet of flowers, with Jammu and Kashmir’s culture being a distinct bloom, rich in spirituality, history, and thought. The region’s temples, Vedic hymns, and philosophical legacy form a deep-rooted cultural foundation often overlooked in mainstream discussions.
Khanna stressed that while Kashmir is often associated with conflict in media narratives, its 10,000-year-old history and links to the Rigveda deserve recognition. Cities like Anantnag reflect this ancient civilization, and preserving this civilizational knowledge is crucial for future generations.
Challenges of Cultural Filmmaking
Gaurishankar Raina explained the difficulties in producing such films, particularly documenting temples, which require multiple permissions and access to remote or difficult-to-reach sites. He emphasized the importance of research and the role of films in conveying meaningful cultural narratives in the digital age.
Anurag Punetha added that documenting historical and cultural perspectives is vital, especially in a region often portrayed as conflict-prone. The film reinforces the presence of Jammu and Kashmir’s rich heritage, reminding society of its architectural and spiritual legacy.
About the Film
‘Sanskriti: Jammu & Kashmir’ is set against the stunning landscapes of the region and reflects its ancient spiritual consciousness. Drawing on references from Kalhana’s Rajatarangini, the film showcases temples, some standing and others in ruins, revealing the historical and philosophical richness of Jammu and Kashmir.
The film highlights efforts by Sikh and Dogra rulers to revive temples, the Fourth Buddhist Council at Harwan Monastery, and Sikh traditions linked to Guru Hargobind Ji. Lesser-known spiritual sites, including Mamleshwar Temple and shrines around Gulmarg, are brought to light, offering audiences a cinematic rediscovery of the region’s suppressed cultural and spiritual narrative.